#because more and more kids just don't give a fuck

[annasellheim]

So this was on the @writing-prompt-s site- so I'm treating it as a writing prompt. (I can't fucking draw right now due to a busted shoulder, so I'm doing a bunch of them because I'm alone, hurt, and sad, and they're fun).

Anyway, the story:

I sat down next to him. I looked at my former student, now an adult. A brilliant engineer. I remembered him. I had really liked this kid. The man in front of me was impressive as hell too. It didn't surprise me at all.

"I'm really, really sorry this hurt you. That I hurt you. What I was trying to do was show you some techniques. My goal was that, later, after you learned these techniques, you could deviate from them and make your own thing.

We have a set of guidelines of things we need to teach. It's a mandatory curriculum, with national guidelines, just like math or science or whatever. But it varies from state to state. And who the hell knows what they do in private school. But I could have been clearer about it. I was new to teaching, overwhelmed, and honestly, barely keeping it together. And there were 25 of you in my class, it took me a few years to figure out what works and what doesn't in the classroom. Again, I'm really sorry for the pain it caused."

I tried to remember when he had moved away during the school year. I wonder if I hadn't gotten to the point in the spring semester where I gave my students more lee way, to experiment and deviate from the techniques I showed them. To let them decorate their dish any way they wanted. To make trees and flowers for different seasons.

The man in front of me was way quieter and more hesitant than the kid I remembered. I hope I didn't do that to him, but I might be reading too much into it.

I took a sip of my coffee.

"You know what's cool tho? The shit you've been doing at work-"

He looked surprised and snorted.

"What?"

"You swore."

It was my turn to laugh. "Yeah, to be fair I'm not in classroom mode right now.

Anyway, the stuff you've been doing at work, it all sounds like it takes a ton of creativity to accomplish."

"I never thought of it that way..."

"Well, you've been on the forefront of a bunch of stuff because you think outside the box. I'm glad I didn't rob you of that."

We sat next to each other on the bench. He was thinking it over. I was trying to not dwell on the fact that he brought this up, that he had carried this pain with him for 20 years.

"Do you still make art?"

"No, not since elementary school, since my last-"

"Your last required art class. Got it."

I gave him a side eyed glance.

"You know you could get back into it at any time, right?"

He was taken aback, he obviously had never considered it.

I smiled. I've had this conversation before, many many times.

"It's not like a sport or something. You can start at literally any point in your life, you don't need to be young and in peak physical condition. Art ain't basketball.

The cool thing too is that you can choose what you want to make, you're an adult. Nothing in art is required for you to learn. You can pick any class you want, or no class at all."

I gave him my business card.

"If you shoot me an email, I can give you some books to read for you to get started. Not to teach techniques, but exercises that help get you back to the point where you make stuff. I think a LOT of people stop making art for all kinds of reasons, not just because of a novice teacher. There's been a bunch of stuff that's come out recently to try to help adults make art again. y'know, to recapture the joy of it."

We said our goodbyes. I really hope he thinks it over and reaches out.

Once a little boy went to school. One morning The teacher said: “Today we are going to make a picture.” “Good!” thought the little boy. He liked to make all kinds; Lions and tigers, Chickens and cows, Trains and boats; And he took out his box of crayons And began to draw.

But the teacher said, “Wait!” “It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make flowers.” “Good!” thought the little boy, He liked to make beautiful ones With his pink and orange and blue crayons. But the teacher said “Wait!” “And I will show you how.” And it was red, with a green stem. “There,” said the teacher, “Now you may begin.”

The little boy looked at his teacher’s flower Then he looked at his own flower. He liked his flower better than the teacher’s But he did not say this. He just turned his paper over, And made a flower like the teacher’s. It was red, with a green stem.

On another day The teacher said: “Today we are going to make something with clay.” “Good!” thought the little boy; He liked clay. He could make all kinds of things with clay: Snakes and snowmen, Elephants and mice, Cars and trucks And he began to pull and pinch His ball of clay.

But the teacher said, “Wait!” “It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make a dish.” “Good!” thought the little boy, He liked to make dishes. And he began to make some That were all shapes and sizes.

But the teacher said “Wait!” “And I will show you how.” And she showed everyone how to make One deep dish. “There,” said the teacher, “Now you may begin.”

The little boy looked at the teacher’s dish; Then he looked at his own. He liked his better than the teacher’s But he did not say this. He just rolled his clay into a big ball again And made a dish like the teacher’s. It was a deep dish.

And pretty soon The little boy learned to wait, And to watch And to make things just like the teacher. And pretty soon He didn’t make things of his own anymore.

Then it happened That the little boy and his family Moved to another house, In another city, And the little boy Had to go to another school.

The teacher said: “Today we are going to make a picture.” “Good!” thought the little boy. And he waited for the teacher To tell what to do. But the teacher didn’t say anything. She just walked around the room.

When she came to the little boy She asked, “Don’t you want to make a picture?” “Yes,” said the little boy. “What are we going to make?” “I don’t know until you make it,” said the teacher. “How shall I make it?” asked the little boy. “Why, anyway you like,” said the teacher. “And any color?” asked the little boy. “Any color,” said the teacher. And he began to make a red flower with a green stem.

~Helen Buckley, The Little Boy

[yaseraphine]

short-medium mercury observations bcuz I am feeling silly

A little silly astro obs until I am finished with the capricorn rising one. This post is just leo mercury non sense please don't mind me

I feel like a lot of water mercuries, especially scorpio mercuries, don’t talk much. They tend to observe, analyze and stay kind of out of the conversation. They only speak when it’s necessary. The opposite of a yapper basically

They also tend to have deep voices, both for men and women.

Capricorn mercuries can be a bit like this too. Really dry texters (as a leo mercury it gives me anxiety i feel like they hate me when they talk to me.. like if you hate me just tell me ☹️💔😭)

I genuinely don’t understand capricorns, and capricorn energy. Except when it’s in the ascendant or Venus, their energy is unreadable to me. Whenever I interact with a Capricorn, I feel like they hate me and don’t want to be there because they are not really expressive when they speak and are really direct and realists in their talking style. As a Leo mercury, I feel so judged 🫠😟Like if you hate me just say that💔😭😫

I am super expressive when I speak, kind of like a theater kid. Kind of like the voices in cartoons. Overtly excited when saying worldly stuff, like talking about the weather in the most dramatic way. When I speak, my tone goes up and down, it feels like you’re on a roller coaster when you interact with me. I have had people coming to me many times in the streets or the library telling me that I am too loud and that I should lower my voice to be respectful lol💀🤡💩 sorry😀

Aries and Leo mercuries, sometimes sag mercuries : we can’t shut the f up to save our lives lol the number of times i have been kicked out of class with my friends at school for being too loud, and laughing too much i can’t even count help-💀🤪🤠

Mercury in Sagittarius are so funny but at the same time so cringe my mom has it and she always makes corny dad jokes and she’s always the only one laughing at the diner table lmaoo

Mercuries in Gemini are so fucking smart, not in a genius way, but they can pick up on stuff so easily. Like understanding a text, or seeing the main points of a text without reading it in its entirety. They are really good at making connections between things, and connections that make sense. They are generally as logical as virgo mercuries, but they lack the meticulous side. They are pretty much to me a virgo mercury with ADHD on crack lol I'd say instead of being smart, they are more so perceptive, insightful or astute.

Some Mercury in Pisces sometimes speak so cryptically that it gets hard to understand, once they open their mouths, where they are going with what they’re trying to say. Their talking style is kind of surreal and romantic. They tend to create new words, and change up the grammar and verb conjugations. Their sensitivity and capacity to perceive things that cannot be seen by the naked eye is what makes them invent those words, because the already existing vocabulary isn’t enough to express this hyper specific thing or feeling they have.

Mercury in Pisces and Mercury in Virgo were placements that I found in the biggest readers I know. Both love reading and writing, and they have a thing for romance novels or fantasy books from what I've seen. Really delulu people in their own respective ways 🫡 but at the same time really talented 😁😍

the type of fiction virgo and pisces mercuries be writing on AO3 and Quotev instead of being productive members of society :

i just know a pisces mercury was behind this soul crushing poem 😞😔😿🫂

[bumblingbabooshka]

I think Sarek and Amanda Grayson both lowkey seeing their children as little experiments in different ways is undeniably bad parenting BUT .... I mean you talk about matching each other's freak .... Like imagine for a second Sarek is like "I am going to show that Humans are just as good as Vulcans by molding this Human child and my half Human son into the perfect Vulcans - This will show that despite what society thinks of as their genetic inferiority, they're just as good as any Vulcan." and Amanda's response to that is to think "Sarek is wrong...Michael's humanity MUST be preserved...so that I can show her all the love and affection I can't show Spock and maybe through their sibling bond all my unspoken and unexpressed love can trickle down to him through her." What are you both DOOOOING!?? You guys are NUTS like PLEASE just TALK to each other and compromise about how you're going to raise your children!! [Love the drama though] So I'm imagining in my head that Sarek is severely pressuring both Spock and Michael to act as perfect Vulcans their entire lives with him or else they're failures not only in his eyes but in all of society's (because he's an ambassador and raising these children is tied irrevocably with his work as such) WHILE Amanda is secretly trying to funnel her humanity and love for Spock through Michael and as such failure to receive, express, or internalize that love is failing not only your mother but also the entire Human race. Damned if you do damned if you don't! Who do you want to disappoint more, kids?

In 'Point of Light' Amanda says that she gave Michael all of the love, joy, and affection which she wasn't "permitted" (we must question the use of the word - what stopped her from directly giving Spock this love? I'm not saying there wasn't pressure for her not to, I'm saying the word 'permitted' absolves her of any personal choice or failing in a way that's interesting to me) to give Spock and though this is on the surface level sweet and probably meant to be interpreted that way, I submit that it must be kind of fucked up to hear that your foster mother was maybe only so kind and caring to you because she felt she wasn't allowed to act that way towards her "real" son. Michael Burnham as a tool for both her parents, however unintentional, is very interesting and I'm not sure it's something canon considers (haven't watched the show, I just like imagining things). The feeling that you have to be grateful to these people for not only being your parents but being YOUR parents. For taking you in and giving you a beautiful life - you have to pay them back, you have to make them especially proud of YOU. Because they didn't HAVE to, did they? Because you're not their "real" child. In the end, it's always Spock - isn't it? The love your mother gives you is Spock's love and if only one child can enter the Vulcan Science Academy then it has to be Spock. You're the appetizer your father serves before the REAL main course and your mother's stuffed doll which represents the thing she REALLY wants to hold and you know they genuinely care about you. That's the worst part. Because you know they care and they didn't mean to hurt you and the voice in the back of your head keeps telling you that any hurt they've dealt you pales in comparison to the debt you owe them and they love you, they love you, they love you, they love you, they love you [repeat as often as need be: remember the debt]

[boomstab-papa]

Oh absolutely, giving misogynists captive girlfriends/wives isn't going to fix anything. Being a little more misogynist to try to appease misogynists won't work.

But "giving any credence" is such an interesting phrase to use here, because it's so ambiguous and also accusatory. What does "giving credence" mean? Who has been doing it? What have they been advocating for? Who, for example, has been saying leftists should be more misogynist, and how?

I'm not alone in this confusion, either, there are several comments on the tweet who are equally perplexed.

The fact is that the left DOES NEED a better approach to people who are feeling lost, angry, and scared.

Alt-right "self-help" authors and programs are hugely popular. These predators target lost, scared, and angry people. They're cults, really. And no matter how much the left discusses things like "can we stop parroting bioessentialist bullshit because hey, men aren't destined to be misogynistic assholes"... these alt-right cultists don't ever even have to TALK TO a leftist to repeatedly hear "leftists hate you for being born white/male/rich/etc". I really can't get over how Rush Limbaugh popularized the term "feminiazi" and told an entire generation that feminists were angry man-haters when they literally are not. But that's exactly how the grift works!! I should know, I grew up in exactly this Rush Limbaugh kind of house!!

"Don't blame the hyper-wealthy for ruining the economy, blame women and foreigners for taking all the jobs! Don't blame the ruined economy when nobody wants to have kids anymore, blame the women! Don't blame patriarchy and all the misogyny it taught you when women avoid your misogynist ass, blame the women! Remember, the feminazis hate you!!"

So what to do?

On an interpersonal level, sometimes it can be really easy. This is a comment made to Innuendo Studios's video "How to Radicalize A Normie" on this exact topic (which I highly recommend watching).

"Hey, ex-alt-right member here. First, really like this series. I feel like you’re validating the radicalization that me and my male friends experienced. Putting it into words and showing us how we got tricked, exposing the magician and their tricks. Second, I vot out not through argument and discussion but actually through feelings. I was very edgy and would use the n-word in jokes all the time. My male friends would not call me out on it. But a female friend of mine said it made her uncomfortable and that she didn’t appreciate these jokes when we played fortnite together. That shook me to my core as I cared for my friend and that’s how my deradicaliztion started. Just wanted to add in this personal story, keep up the great work :)"

If this is someone you know, tell them their behavior is not cool.

THIS GOES DOUBLE FOR THE MEN READING THIS. Misogynists are more likely to listen to you than they are to listen to women!! If someone is being a shithead in your vicinity, consider: are you gonna let it slide? Or are you maybe, possibly, going to be the one thing that yanks them out of a hatespiral and prompts them to re-examine their hateful worldview? Tell them "hey not cool".

This might not work the first time. This might not work at all for some people. But if the situation is relatively safe, then it's worth trying.

And this does not mean that you personally are responsible for "centering men in your conversations" or "marginalized people putting in even more emotional labor" or "if a man is misogynist it's because you failed him" what the fuck ever like I've seen in this discourse. Come the fuck on.

It means you can probably try saying something to somebody you know. And if it doesn't work? You can say you tried.

On a policy level, we have more work to do. It shouldn't come as a surprise to any leftist that the current economic and political system in the USA exists to separate and exploit people. I think we all agree it really sucks to live in a system like this. Your average reactionary misogynist also thinks the system sucks, but as explained above, they've been trained to place the blame on some convenient scapegoats instead. Immigrants. Women. Queer people. Muslims. Anybody who's not white. Et cetera. "Government needs to get out of the way of smart people and then Elon Musk will build a utopia for The Faithful (which includes me) on Mars" or some shit.

These people need to hear that their anger is justified, but that their blame is misplaced. They need policies that will hold the responsible parties accountable. They need policies that won't leave them impoverished and isolated and exhausted after working a 40+ hour work week. They need to realize the system isn't sorting people into "the worthy rich" and "the unworthy poor", rather, that it's exploiting everyone except the wealth-owning class. They need to realize it's their politicians' biggest campaign donors that are doing this to them.

The Democratic Party needs to actually talk about this. I'll be dangerously pithy here: the Democratic Party needs to sound more like Bernie Fucking Sanders. Politicians need to oppose health insurance companies and get Medicare For All going. Politicians need to stop voting to give the military two fucking billion dollars every single day and fund free college and trade schools. Politicians need to tell business interests to fuck off and get a livable minimum wage AND a universal basic income passed, which will severely undercut employers' ability to exploit and isolate us.

And we need Citizens United repealed. Badly. I'm not trying to imply the problem is only with Republicans' campaign donors, because Democrats' biggest campaign donors are also often the same people exploiting us. But look at how Democrats did a tiny little bit of pro-union and anti-trust work these past 4 years and they screamed bloody fucking murder. If Democrats are relying on these people's money to get them elected, I think it's going to be really hard to get policies passed that will actually make USAmericans safer and happier (ie. address Republicans' economic fears that they keep blaming on various scapegoats).

Although with Republicans controlling the entire Federal government for the next two years minimum, this feels more distant than ever.

That's what we need to be taking seriously. If you don't give any credence to the fears and insecurities underlying the horrifying reactionary politics, you're not actually addressing anything. If you can't admit that capitalism fucks all of us over and makes all of us miserable and looking for a remedy, are you even a leftist?

[lipstickchainsaw]

Act 3 mostly left behind the elements of the show that I was most interested in, and had the most to say about, but I do want to talk about episode 7, which was fucking gorgeous and extremely well done.

I've seen people say that the good timeline Ekko and Heimerdinger find themselves in is the result of Vi dying, as if this timeline is a Wonderful Life view to paint Vi as the 'real' jinx, but I don't think this makes sense (for one, I don't think this episode gives us a new perspective on Vi, and Vi isn't the one seeing this, so it isn't giving her a new perspective on herself, either).

No, the point of Ekko's half of this episode is to give him a new perspective on Jinx, by showing him who Powder could have been. Last season, he was the most prominent person to argue that Powder was dead, and that only Jinx remained within the girl he was once friends with. This is not an unreasonable position for him to hold, given that she's killed a bunch of his friends in the Firelights over the course of his resistance to Silco's regime.

But this girl he meets here is not Jinx, and when he sees her, he initially reacts with the same hostility he would to the one from his timeline. Even when he figures out that he's in a different timeline, he isn't able to get over that, to stop projecting the image of Jinx onto this young woman who's done nothing wrong and suddenly sees her boyfriend acting so cold and distant to her.

This culminates in him asking the (really insensitive regardless) question of whether she was the reason Vi died. He has so internalised the view of Powder as Jinx/as a jinx that anything having gone wrong must have been her.

But she shoots back that, really, that's on him way more than it is on her. It's downplayed in season 1, but Ekko is the one behind the inciting incident of the show. To wit, he rips Jayce off, charging him double for the stuff he's buying, and then sends his friends to rob the guy's place, little rascal that he is. It was a fun little prank for a kid to play on some rich idiot who could just bounce back from that anyway, right?

And then everything went horribly wrong! Ekko lost his mentor, his closest friends, one of whom came back different, as his home was turned into a twisted parody of itself, and he had to find himself a sanctuary from which to launch a resistance movement.

We're naturally drawn to compare this Powder and our Jinx, but I think the subtler difference here is between the two Ekkos. It doesn't get a ton of emphasis, but we see from the way the people around him respond to him that this Ekko was very different, too. He hasn't had to grow up way too fast, and take up way too many responsibilities for someone his age. He hasn't become as angry as the Ekko we know, hasn't had cause to rage against the many injustices of a system stacked against him on both sides.

This Ekko is a relaxed, content, brilliant and recognised for it, genius little inventor, with a beautiful girlfriend who loves and supports him in his endeavours, and a wider family looking out for him to prepare him to step into a wider world of great possibility.

The way he conceptualises himself, as a resistance leader, a fighter and a protector, a boy saviour, he isn't ontologically any of these things. He isn't condemned by fate to step into those roles, doesn't become them out of some innate characteristics he just has. He is that way because circumstances forced him to become that.

And the same is true for Powder, for Jinx. She isn't inherently a jinx, regardless of what anyone including she herself may believe. She isn't the manifestation of misfortune for all, and he knows this. When he took her down in S1e7, and Jinx showed the suicidal Powder inside of her, he recognised this, and it's what stopped him from killing her then (even if she tried to blow him up.)

Even in that episode, she confronts him about this, calling him 'the boy saviour' in a tone that's halfway to an accusation. 'Why didn't you save me?' is what she halfway chokes out, where was her saviour (much in the same tone she'd use for herself when announcing herself as 'your big fat hero', because she wasn't able to believe in that concept either)?

Neither of them was able to address the matter then, because Ekko was still reasonably upset about the people she killed, and Jinx was dealing with a lot of complicated feelings she was expressing with violence, but it's his time here, with this Powder that gets him to reconsider.

'I've never seen you give up on anything,' and all that.

It helps that he meets a different Jinx who is, with some effort, willing to let herself be saved without trying to kill the person saving her.

(And not to be too down on our Jinx, Vi's death clearly hit this Powder hard, and she never quite built up the confidence to pursue her own ideas as a result.)

[innerempire]

The Avengers trying to raise funds for god-knows-what and Natasha comes with brilliant naughty idea of a pin-up calendar of their youngest Avenger. There's nothing like showing some skin, and it's obvious (be it in Twitter, Instagram, Tiktok, or Reddit) that the public unanimously think that the newest addition to the team - Peter Parker - is pretty fucking hot.

Sure, they've not seen his face before, but that lithe body in that spandex? Peter's the only one comfortable with actually baring his ass for the calendar (Steve acknowledges that Captain America's ass is still one of the finest, but he's not fucking baring his ass cheeks for a goddamn calendar).

Thing is, Natasha has to run through the idea with Tony first because she thinks that Stark acts like a unhinged guard dog out for blood when his favorite protege is involved. She's not stupid to try and go behind Tony's back on this.

''I'm sorry, what-'' Tony swipes at his keyboard, interrupting Natasha from her tangent.

''Don't mind him.'' Peter pipes up from where he's tinkering with his latest project. ''He goes 'huh' a lot these days.''

Tony points a wrench in Peter's direction, ''Zip it.''

''Look, we want something that's going to sell. People love Peter in spandex, and what's hotter than hip keeping his mask on and, you know, executing a couple of suggestive positions with his ass showing. Pepper thinks putting him in a thong would make people go insane-''

''Are you-'' Tony rubs at his mouth. ''Did you even sleep after your coming back from your mission with Barton? Or am I the one hallucinating this conversation?'' He tries to mentally compute the last time he had slept.

''Peter said yes.''

Peter's neck is flushed, ''...I figured, since it's for charity...? I do have a pretty nice ass, especially when it's in spandex. So, you know, me in a thong would be-''

''Okay.'' Tony claps his hands together, startling both Natasha and Peter. ''I'm going to get a drink. Preferably something really strong, because I'm going to pretend that you didn't just waltz in here to tell me that you want the kid's bare ass on a pin-up calendar.''

''Prude.'' Natasha clicks her tongue disapprovingly at Tony.

After Natasha leaves, an amused Peter wheels his chair over towards Tony, ''So, which one bothered you more? The fact that people are going to own a calendar with like 12 months of Spiderman's bare ass, or the idea of me in a thong? Or panties, you know, the ones with the bows and frills that you have stashed deep in your wardrobe. I'm assuming they're for me, after you tell me that you've been fantasizing about this. But hey, if they're for you, that's pretty fucking hot too, Mr.Stark.''

A couple of months later, the idea does push through (under Tony's strict supervision). Because Peter's such a little shit, he signs the first printed copy and leaves it on Tony's desk with a note: Do me a favor and film yourself jerking off to the calendar, Mr. Stark. P.S: You'll love the month of May.

Of fucking course the month of May is Peter in the panties that Tony had so generously gifted to him - a gorgeous satiny piece that's gold and red.

The calendar is obviously a hit and during the next Avengers gathering, everyone's teasing Peter to sign their copies.

''So.'' Natasha sidles up to Peter. ''How bad did Tony give it to you for having your bare ass out in that calendar?''

''...they had to use two whole tubes of concealer and a shitload of powder and foundation even after a week after what Tony did to me.''

[lover-of-mine]

I'm sorry what????? They think they can influence Tim! As a fellow 300 survivor I think you can agree Tim gives zero fucks. Do they realize the ego of a show runner? I don't think Tim even likes us. I only have confidence because he loved Oliver and created Buck, then looked at Ryan and said I want him. And hey let's give them a kid. Buddie will have a HEA because that's the story he wants to tell. I have no doubt if he didn't love them like he does he would bellarke them just because he was annoyed at us one day.

No but literally, like we had to survive Jason actually punishing us. He actively was trying to punish the bellarke fans as much as he could. You look at the way that he treated Bellamy at the end of the show just because he was fucking annoyed with us. And the fact that he brought Lexa back just to rub it in more. Tim said it before that he writes Buck and Eddie for himself. We're just along for the ride, Tim will do what he wants and if people annoy him he will blow things up. You know surviving the 100 as a bellarke/Bellamy fan we know what it's like to have a showrunner actively hate us. Jason hated us and he was like "you know what fuck you" and just destroyed his own show because of his ego. And considering that Bob and Elisa said that they were told bellarke would end up together like the book, he literally threw away the plan because we annoyed him too much. They think that a couple hundred people being annoying social media for a few weeks, because their numbers are already completely down, we'll get them their way. Yo if us being annoying worked buddie it would have been married by now. It's so fucking funny that they think that they have any influence. The audience has no power whatsoever. I think it was Veronica Mars that the showrunner made an extra season just to make as many fans mad as possible a few years ago. Tim is doing this for himself, if he cared about the criticism he would have changed things and he's not. The ego of a showrunner is all that matter and they think that Tim is going to allow a guy who literally hijacked his story for personal gain, who was literally selling his IP, to control the narrative because a few people sent a couple emails to ABC. That guy is not going to do what they want, if they keep this up he might do the exact opposite. Jason hated us, you want to know what it's like to be a fan who watching the narrative change because of fan reaction be at the 100 fan in 2019/2020, but that was punishment. They're not gonna get what they want like this.

[dwarf-vader-of-middle-earth]

What's more is, I'm not sure about anyone else, but my school started enforcing this in 6th grade. I mean enforce.

Beginning in the 6th grade, history class required us every Friday to bring in some news article of a current event, and we began our classes with each student presenting a summary of their event.

Our English class required us to write a periodical weekly on a current event.

Our science teacher required every student to bring in articles each week regarding scientific current events, whether about disease, discovery, developments, etc.

If there was a huge event happening, our teachers loaded the live stream on every classroom computer but kept it silent, just so we could watch as we learned.

And every teacher repeatedly told us, especially our history teacher, it was our responsibility as US citizens to keep up with the worldwide news. No exception. He forced it down our throats that we had to morally throw ourselves into the worldwide happenings daily and that we should all watch multiple news sources. Our English teacher did the same.

And for every single year following until graduation, it was enforced in our curriculum to keep up with worldwide news without any exception unless we wanted to fail and repeat the year since the majority of our grades relied on the homework which, again, was always based on current events.

That fucking term. "Current events". It sickens me. It's legitimately traumatic.

Because you know what happened to every single student in my school by junior year?

We were depressed as fuck without reprieve, unable to even focus in class with half the kids falling asleep at their desks, no one was happy, and literally all of us hated our lives. Many were admitted to mental hospitals for anxiety and depression issues, and it wasn't unusual to see someone gone for days or weeks at a time and for others to forget about them existing entirely because it's a very small school with less than 1,000 kids and you just let shit slide there. And that missing kid was always in a mental health crisis of some sort.

As an adult who's been out of school for 7 years now, I'm trying my damnedest to break the habit of burying myself in the news that my school enforced.

I don't know what's going on at all anymore. I don't pay attention because I need to focus on myself, my health physically and mentally, I need to take care of my sick mother and my father who is getting a hip replacement next month, I have to work and pay off my car repair, I have a life to fucking live.

And that life is not obligated to impart itself entirely unto the worldly events that drain my will to live and cause nothing but depression, despair, and immense sorrow.

People have called me selfish for this. They've called me careless and ignorant, said I'm looking at the world through rose colored lenses.

But you know what isn't selfish? Helping my homeless friend by cooking her meals and offering a place to stay. Translating Spanish to English at the store for customers and workers who don't understand each other even though I don't work there I'm just shopping. Standing by my best friend whose dog just passed tragically from cancer this week. Helping my neighbors clean the fallen branches in their yards because they're elderly and can't do that. Stopping when I see a car broken down to ask if they need a cable jump or tools for repair.

The point is there are countless other ways to be morally and ethically good that aren't dependent on burnout and enthralling yourself in world news. There are ways to help that don't require money and donations, too. I'm disabled on very limited income, and I still do my part without being able to donate.

Give your neighbor a hand. Help that stranger with their car. Give some food to the homeless. Put your old books in the little free library. Be genuinely kind and understanding to folks you come across whether daily or just once in a lifetime. Donate clothes you dislike or no longer wear to the local foundations and drives.

But for fucks sake, stop burning yourselves to the point you're melted wax in the glass jar with no wick to reignite you.

the social norm of “its your ethical responsibility to be constantly aware of, and angry about, every bad thing happening in the world at all times, even if you can’t possibly do anything about it” is possibly the best way I can imagine to create burnout and cynicism and depression in a population, so good job guys

[bulkyphrase]

Post-CACW Stony: a fic rec list

I've been on a Captain America: Civil War kick lately, and since I know that Steve-friendly CW Stony fic can be hard to find, I've put together a rec list!

I am thoroughly team cap, but these range from being anti-accords to just not getting into the issue, and all are Steve-friendly as long as you can accept a lot little loving Steve-whump.

Atlas by nanasekei (@elcorhamletlive) (Not Rated, Creator Chose Not To Use Archive Warnings, 11,505 words)

Summary: They don't hear each other.

Eigengrau by vorkosigan (@the-vorkosigan) (Teen And Up Audiences, 16,811 words)

Summary: Tony is captured; he doesn't know by whom, or why. He doesn't know how much time has passed since. What he knows is, he can now hear something in the adjacent cell, and that 'something' sounds a lot like Steve Rogers.

Nights When the Wolves Are Silent, and Only the Moon Howls by Cluegirl, Defiler_Wyrm (@cluegrrl) (Mature, Graphic Depictions Of Violence, 77,612 words)

Note: has a Stucky element too, but the relationship between Steve and Tony is the main focus.

Summary: “Could you drop all that stoic shit and be my freaking-the-hell-out wingman for just like, five seconds here?” Steve wasn’t sure he could think of anything he wanted less to do than to freak out about his wounds just then though, so he reached across his chest and gingerly patted Sam’s clenched knuckles. “It’ll be fine,” he promised, believing it. “Serum��s handled worse.” “You know, I actually believe you,” Sam allowed after a long second of glaring. “Which is deeply alarming, considering how much of your connective tissue I’ve touched in the last 4 hours. Now you wanna tell me what Russoff’s men did to you that made it look like you got mauled by a bear?” Steve flinched, then breathed the memory down to size. “Not a bear,” he murmured. “Wolves.”

More below the cut!

(trust me when i say) i'll get back to you by machi_kun (@machi-kun) (General Audiences, 1,549 words)

Summary: “Me and Rogers are not on speaking terms anymore.”

An Infinite Number Of Monkeys At Typewriters (Or, Steve and Tony Finally Get It Right) by JenTheSweetie (@jenthesweetie) (Mature, 18,864 words)

Summary: Tony blinked up at the face staring down at him. This was impossible. This was definitely 100% not possible, he had not just started giving a good morning handy to - “Steve?” After the events of Civil War, Tony and Steve wake up in bed next to each other in an alternate universe. It goes about as well as you'd expect it to.

And Miles to Go Before I Sleep by Cluegirl (@cluegrrl) (Mature, Creator Chose Not To Use Archive Warnings, 152,765 words)

Summary: They all made mistakes. They all have regrets. They all have nightmares, suspicions, and questions they'd like to ask. And they all left business behind them that was never quite finished. This is the story of how the Avengers ask those questions, get their answers, and come together like fucking adults to make things right again.

Bring Him Home by seventymilestobabylon (@seventymilestobabylon) (Explicit, 13,769 words)

Summary: Tony misses Steve very badly after the Accords. Some days he deals with it better than other days. (a fic featuring the booty call flip phone, minor kidnappings, and time jumps between chapters because the election has been happening and my brain has been too mush to make a proper plot)

Conjugal Visits by xtricks (Explicit, 4,252 words)

Summary: AU: Steve Rogers gets captured fairly soon after Civil War and sent to the Raft. Tony discovers that trying to appease your enemies doesn’t work and ends up a prisoner too.

Down Came the Rain by captainoutoftime (@captain-outoftime) (Explicit, 75,274 words)

Summary: A mission goes badly for Natasha, who is discovered de-aged to three years old. She recognizes no one, but every kid knows Captain America. When Tony grudgingly makes a call, Steve makes good on his promise to answer. Steve has to work together with Tony to take care of a traumatized child and figure out how to turn their itsy bitsy spider back into a Black Widow. Neither of them really want to talk about what happened in Siberia, but living in close quarters, they have to come to some sort of peace - even if it means addressing some feelings they'd rather not admit to having. As they work together to solve the problem of a re-emerging Red Room, Steve uncovers something he never expected to find again: family.

Hating Steve Rogers by nanasekei (@elcorhamletlive) (Not Rated, Creator Chose Not To Use Archive Warnings, 16,243 words)

Summary: The thing about hating Steve Rogers is that it shouldn’t be easy - but it really, really is.

I Have Questions by YourFadedGlory (HisNameWasAce) (@yourfadedglory) (Not Rated, 2,808 words)

Summary: There is only so much that Steve can carry. His legs quiver and his heart aches, he looks skyward, and in a startling moment of clarity he lets the shield go. Gouged and battered, it rings like a bell when it hits the stone floor. He wonders for a split moment if it will weigh on Tony the way it has weighed on him.

The Crying Game by fohatic (@fohatic) (Explicit, Creator Chose Not To Use Archive Warnings, 36,403 words)

Summary: Steve Rogers stared at the dimly glowing digital screen of the little burner phone, rereading the text message as if it might somehow give away something he missed the first dozen times he scrutinized it. His frown only deepened, though, brows drawing together with consternation as the 88 characters only left him with an even more ponderous sense of uncertainty. If you meant what you wrote, I'll be at the Swissotel Sarajevo, 4/18. Presidential Suite. 9pm. Come alone. ...Nearly a year after Steve and Tony's fallout—and only weeks after press rumors that Tony and Pepper's engagement was inexplicably called off—Steve gets a message on the dedicated burner phone. Despite his instinctive reservations, he's compelled to answer the mysterious call. An approximately canon-compliant story.

the hope that kills you by meidui (@meidui) (Mature, 1,227 words)

Summary: Steve used to go on so much about freedom and choice. If we sign this, we surrender our right to choose. Some of the freedom he loved was big, big enough for him to lay his life down for over and over, and some of the freedom he loved was small, like the wind in his hair when he took his motorcycle out, but now he has to sob and take it when Tony sucks a deep flowering bruise where his prison uniform couldn’t possibly cover and whispers in his ear, “Who’s gonna help you now? Where are you gonna run?”

live for the hope of it all by meidui (@meidui) (Mature, No Archive Warnings Apply, 1,880 words)

Note: This is a sequel to the hope that kills you

Summary: “You can keep me here, can’t you?” Steve asks a little desperately as Tony kneels over him, spreading himself out all the better for Tony to take. He must have really hated his cell on the Raft, Tony thinks before he loses himself in Steve’s body, and for a little while, everything is the same as it has been for the past six months. It’s only after, in the dark and quiet of his own bedroom with Steve sprawled sleepy and heavy across his chest that Tony realises— This is their cell now.

The Phone by AvengersNewB (@avengersnewb) (Mature, 9,039 words)

Summary: Tony hates the flip phone Steve sends him, but he keeps it close at all times, and it never rings until it finally does and the news might help put things into perspective - Captain America : Civil War fix-it. or The phone can't take the place of your smile. [podfic added as chapter 2]

the things we invent when we are scared by nanasekei (@elcorhamletlive) (Not Rated, 18,305 words)

Summary: Steve is trapped in a dream machine, programmed to make him believe he's living his happiest fantasy. Tony goes inside to wake him up, but what he finds is a lot more complicated than he expected.

there's nothing but blue skies by Meatball42 (Mature, Major Character Death, 647 words)

Summary: “This isn’t good,” Steve said grimly.

[ramblingautisticman]

Recently read All New Wolverine #6 and found out Gabby has kids.

And she named them Logan and Wade.

Our boys' legacy will live on forever. She admits that they are huge handfuls and Laura bassically says "what did you expect?"

And I can't stop thinking about how from the day Wade met Gabs, They were quote "Best friends" end quote.

Like this girl is somehow this mans daughter. "Oh because adoption?" Literally no. And this can be taken as "Wade acts childish" OR Iykyk-

Gabby is exactly how Logan would have behaved minus the truama and if he was raised/ accepted with the knowledge of his claws.

Our boy Logan fits with Wade so much because they are so similar it is unreal. So to see Wade so quick to help Gabby and support her through the craziest of ideas (COUGH "dont tell your sister" COUGH) Not because hes "her friend" but because he knows that Logan is stubborn ASF and if someone dosn't go with this little murder munchkin- someones gonna get hurt. And he'll be damned if its her.

This is actually so beautiful too because while they both can heal, you have "Im in pain 24/7 so this is nothing to me." and "I CAN'T feel pain so I need someone to make sure I dont push myself too far"

Everyone says how Laura is copy and paste of Logan (no duh, they were both extremely abused, experimented on, and were raised to be tough) but no one talks about how Gabby literally has Wade's batshit crazy smile. How Wade HANDS her matches and sits to watch the fire with her. How Wade doesn't tattle on her because he wants her to trust him, and he knows he won't let anything happen to her. How Wade GIVES her chloroform(!??) And tells her it would be irresponsible to NOT give her something to knock someone out if she feels introuble?

Logan can have Laura. He can argue with her all he wants. Wade and Gabs are gonna go play paintball and then get ice cream. WITH sprinkles.

This being said, I think Laura struggles to connect with Wade the same way Gabby does. I think Gabby doesn't struggle to connect with Logan, though, because of how instictivly paternal he is and the fact that he can see tiny innocent James inside Gabrielle.

They are all so over protective of Gabby and it makes me feel sorry for when she gets a boyfriend.... can you imagine trying to have a study date with a girl when both her father AND her sister is the fucking Wolverine? And on top of that her other papa is a phycopathic maniac that will infact throw you off a 10 story building if you make his little girl cry, scrape you off the concrete and throw you in a blender, bake you into a pie, and feed you to your parents...

IM SORRY SHE NAMES THEM WADE AND LOGAN!? THATS SO FUCKING ADORABLE!? MY HEART CANT TAKE IT! Also, no idea if they are in the comic or if it shows how they act, but headcannoning that Logan is the batshit crazy one this time and Wade is the more chilled one, purely because that is really funny in my head?

And Wade is like- so good with kids? Noone ever mentions it, but he really is. Yeah, okay, in his own insane Wade Way (that should be a trademark), but Deadpool 2 is literally him helping a kid because he sees this traumatised abused boy that he NEEDS to help. Someone no one else wants to give a chance, and here Wade is, literally taking him under his wing and protecting him every second.

I've seen some of the panels with him and Gabby (I need to actually read the comics but jesus, there are so many?), and he is so so adorable. The fact he just instantly (similar to Russel in the movie, not exactly the same obviously, but ya know) decides "this is my kid now. I will protect them with everything I can. No one will ever hurt them again." is just- so heartwarming and people don't appreciate it enough!!

I think the girls would definitely struggle to connect to Wade alot because I feel like Wade is ALWAYS the funny, happy dad? He wouldn't want his girls to see him hurt or upset or anything else, so he's always making jokes and bring dramatic, while Logan is the more serious one who you can talk to about anything.

Also, Wade being the overly supportive dad is so fitting. He's stood there filming Gabby just doing something EXTREMELY illegal like "you're doing great sweetie!" and after he is getting her any snack she wants to treat her for doing a good job.

[scourgeofmyownbrain]

I have noticed things about this Bumblebee design, and I can't stay silent about it anymore. (If I do not speak my mind now, I fear I may explode, so please bear with my unhinged screaming, this is good for my health.)

I have compiled my thoughts into a post because I want to spread my insanity like a plague. There are things about this YELLOW MOTHER FUCKER that I can not let go un-acknowledged anymore, THE WORLD WILL KNOW OF YOUR SINS AND I WILL BE THE ONE TO REVEAL THEM

Did you notice anything off or weird about Bumblebee in TFP? Did you? Did you notice? Anything?

BECAUSE I DID

BOY FUCKING DID I

TO begin, this fucker has no eye lids. No, I am not kidding, he never blinks. Ever. Entire show. Not one flutter of a wayward eyelid. Those eyebrows do SO MUCH heavy lifting. There are three other characters (Soundwave, Shockwave, and the Vehicons) that also do not blink, but they have either one big eye and no face or a full face mask, NOT TWO COMPLETELY NORMAL EYES THAT JUST DON’T BLINK

Second, his battle "mask." There are maybe like, 3 instances of a battle mask in the entire show: Optimus, Wheeljack, Bumblebee, and I think that's it. And Bumblebee's is the only one that looks like that, that barely-cover-the-mouth thing it's doing.

Why do his upper arms look so disproportionate to his lower arms? They look too small, the wheel looks like it’s most of the structure and, once again, no one else’s looks like this. Look at his horrific shoulders. What kind of unloving god would make this? (also im like 80% sure his left shoulder is clipping on his body just to accommodate this shot fUCKing hoRriFiC CHoicEs gENTlemen leTs KeeP fUCKINg doing iT)

Exhaust Pipes. I shant say more.

Yes, his insignia is fucking tiny and on his pelvis. Do with that what you will. no one else's is like this why-

Mothers and Fuckers I give you the BANE of My Existence, TFP BUMBLEBEE’S HOLLOW KNEES. Look at those fuckers I can thread a stick right through it. These stupid fucking triangles have been haunting me for YEARS, and, just like his eyes, NO OTHER CHARACTER HAS KNEES LIKE THIS!! I feel nothing but rage looking at this, I hate his knees with a fucking passion I am going to commit 8 felonies

Why do his knee spikes stick out so far? Why. Several other characters have similar spikes, why are Bee’s so far out. The Knees...are probably making it look worse than it is.

HIS FEET ARE TOO BIG FOR HIS LEGS WHY ARE THEY SO MUCH BIGGER! They look like clown shoes, why are they so enormous, they look so disproportionate to the rest of his body. It’s so suddenly too, his feet just abruptly explode out.

Bumblebee has no ankles. All of my emotions have shut off. Everyone else has an their joint is closer to their heel, more in the middle of their foot. Bee’s joint is too far away from his heel, more at the front of his foot. Why iS HIS HEEL SO MUCH BIGGER THAN THE REST OF HIS FOOT!! WHY ARE HIS FEET SO GODDAMN WIDE??

Let's look at a couple other bots to make my point. I'll stick to ones around Bee's size. Wheeljack and Knockout are both 21 feet tall, same as Bee. Knockout has similar wheel placement in his feet and Wheeljack has similar wheel placement in his shoulders.

would you look at that they look fucking n o r m a l. look at their NORMAL KNEES and NORMAL ARMS and NORMAL SIZED FEET THEY DON'T LOOK LIKE CLOWN SHOES HELD ON BY FUCKING STRING

I am having a conniption he is the only one that looks like this.

Would you like some very, very cursed knowledge? Yes, you would: TFP Bumblebee and RID2015 Bumblebee CANONICALLY LOOK IDENTICAL. Like, if you were in the ALC Universe, looking at two photos of him from both the time of TFP and RID15, you would not be able to tell them apart. How do I know this?

LET ME TELL YOU. So, in the episode “History Lessons”, Bumblebee takes his team to the ruins of the Nevada Autobot base, Autobot Outpost Omega One, which we all know was destroyed at the end of TFP Season 2, and they find an old recording from Before the base was destroyed. This recording is of Bumblebee in the base before it was destroyed, and his model is the same as his RID15 one. (see FUCKING above)

You’re probably asking yourself, “But why does that matter, it’s just the show’s different art styles and they needed to make sure we recognized Bee in the recording,” Why? Let me list the ways:

Bumblebee has spontaneously grown fingers in RID15. He only had 4 on each hand in TFP, but in RID15 he Suddenly just had 5. They did the exact same thing with Bulkhead, so I’m not just going crazy.

Bumblebee’s transformation sequence has drastically changed. In TFP he transformed face down head forward, and in RID15 he transforms face up head back. This is significant, and can’t be explained as artistic interpretation, because in TFP season 2 episode 4, Bumblebee drives through a ground bridge after Megatron, transforms then launches himself forward, diving to snatch the spark extractor from Megatron’s hand. You can’t do that if you’re leading with your feet. And It is very obvious that Bee transforms face up in RID15, his feet are the front of the car. I would show you pictures but I am not combing through the shows to find any more images I am so done someone please save me-

"The shows have very different art styles, maybe Bumblebee has just changed how he looks." I hear you say, and Yes. That is something that can happen in canon, Starscream “reformatted himself to his old body type,” which is actually true; his RID15 form looks a lot more like his WF/FOC form, and Soundwave shows up in his TFP form when he’s fresh out of the shadow zone, then he changes his form. We have direct confirmation that characters can change their forms. So there shouldn’t be any problems with Bumblebee’s design, correct?

YOU WOULD THINK, but because the video bee is identical to rid15 bee, but it's supposed to be tfp bee, this makes TFP Bee and RID15 Bee CANONICALLY IDENTICAL. Plus Bee's Rescue Bots Cameos are Identical as well, and one is from TFP time and the other is RID15 time.

The LOGICAL implication is that if TFP Bee and RID15 Bee are identical, then RID15 Bee actually doesn’t have eyelids and does not blink. fucking pains me in places that should not be able to feel pain.

Can you see why I'm insane now?

[zenaidamacrouras1]

Are you aware of the Prince and Knight book by Daniel Haack?

There's also a sequel:

Spoiler alert: The Shadow King is not actually evil, just sad because he wants to wear dresses and date men and wasn't allowed to. Important to know because this book deeply troubled my children who could not understand why the Shadow King wasn't allowed to wear dresses and why it was a problem that he loved a squire.

[harrowscore]

can't believe a show based on a videogame (usually games adaptations are notoriously bad, which isn't the case here tho) gave me the beauty and the beast/twisted mirrors/enemies to traveling companions/ruthless antihero+optmistic but still badass heroine who takes none of his shit/age gap but make it sexy dynamic of my dreams. as much as i love maximus and i think he deserves the best writing ever because 1. he's a clever deconstruction of the aspiring Knight bro who's actually a bit of a loser and, as much as lucy, sees the world in black&white at first and then doesn't get what he thought he wanted but what he needs (or at least i hope he'll eventually get it), and 2. he's a cutie and i want an epic love story for him too, it's very funny how they tried to give us a puppy kind of romance and the tumblr girlies still fixated on the "toxic ~she bites his finger off and he cuts hers off and sews it on his hand in what we'll pretend it's a symbolic marriage rings exchange or whatever~ asshole who used to be a nice guy/good girl™ with a lot of spunk and hidden anger but unshakeable morals" kind of relationship.

[corkinavoid]

Or maybe they do wake Danny up once. Or, maybe they didn't wake him up, more like he was shuffling in his place, half-asleep, and one of the officers in the car went, "Do you think we should give him a blanket? I've got one in the trunk," and Danny froze.

Did they know he was here? Did they know all along?

He escapes without a trace that night, but after a few nights outside, he decides to risk it again. After all, no one seemed to be looking for him (GCPD was, actually, but very, very carefully as to not alert the Bats), and no white vans or GIW agents appear in the city, so, maybe it's okay?

He purposefully chooses a different car with different officers, and yet he still finds a blanket folded in the back and a few snacks. No note, nothing, just snacks, blanket, and the officers that don't turn around or address him even when he makes a few noises in the back - the wrapper of the chocolate bar they left for him is scrunchy.

So he stays. He still helps them out from time to time, and after a while, he even starts leaving notes - perks of being a ghost, he can sometimes talk to the deceased victims if their souls have not yet passed away.

GCPD fucking worships him. Commissioner Gordon eventually finds out (I think the officers tried to keep it on the down low, but after the notes started appearing, they couldn't really come up with a good enough excuse as to where they are getting the clues) and, after a few extensive talks with the most invested officers, he approaches the mysterious kid.

Not to reprimand or scold him, though. He writes a note for the ghost kid, asking if he could come to the morgue some time (because he figured a ghost could talk to the dead and that's way more productive than forensic science even if it doesn't provide as much solid evidence). Which is how Danny ends up with his own couch in the morgue - bizarre, yes, but he doesn't mind the cold and the dead bodies dont bother him (they are actually a little comforting, given his own state of being) and it's quiet and no one comes there without a good reason. He still sleeps in the back of the cop cars more often than not, but sometimes, he spends the night on the couch as well. It's softer.

And the whole GCPD keeps their mouths shut about him around the Bats. Thanks, but the local cryptid already has, like, a dozen kids. GCPD wants one of their own.

DPxDC Places To Sleep

I've seen many fics and prompts with Homeless Danny, and I've just had a thought: what's the safest place to sleep at night when you a) don't have a home, b) can turn intangible and invisible, and c) are not afraid of mortals' justice system since you're dead and it doesn't really apply to you?

Cop cars.

Cops patrol the streets at night, but really, they mostly just pick a place and stay there until something happens, right? (I mean, I think that's right, I'm not very educated on the matter)

So, say Danny is in Gotham, and he needs a place to sleep, but it's the most crime-ridden city in the world, and sleeping out in the streets is cold and uncomfortable. And sure, he can climb into any car, but he chooses the cop car because, first, it's got a radio, so if the cops get any alerts about him (you can't tell me that GIW wouldn't use the help of local police, they are government agents after all), he will hear it first. Second, it's warm and cozy and soft. Third, and the most important: no one is going to look for him there! It's like hiding in plain sight but even better.

Or, well, it is, until one night the cop car he is sleeping in gets dispatched to some crime scene along with about a dozen others, and it turns out to be some trafficking rink that got busted or whatnot, and there are a lot of people who need to be taken to the GCPD station. So Danny, sleepy and grumpy because he was suddenly woken up, searches for the first still running but empty car, while staying invisible and intangible, and when he finds it, he just crashes in the back seat.

He is very surprised a few minutes later when the motherfucking Batman jumps in the front seat, and at least three of his sidekicks are trying to squeeze themselves in the back.

The Bats are even more surprised when they find a random teenager flickering in and out of visibility in the back seat of Batmobile, his eyes wide as saucers and Lazarus green.

[bonefall]

post/734733274896809984/do-you-ever-worry-your-own-writing-might-come-off that makes sense. i was asking because i'm afraid of accidentally writing misogyny myself and i kind of admire what you do

Hmm... I wish I had better advice to give you on this front, but honestly, the only thing I can tell you is to consider the perspective of your female characters.

Women are people. They have thoughts and feelings of their own, so like... just let them have their own arcs. A lot of the worst misogyny in WC comes from the way that the writers just don't care about their girls (or, in the case of tall shadow, actually get undermined and forced to rewrite entire chapters), so they're not curious about their lives, or WHY they feel the way they do or what they want, or any direction for their character arcs.

Turtle Tail as an example. She'll often just end up feeling whatever Gray Wing's plot demands. She's gotta leave when Storm dumps him to make him feel lonely. She shows up again to love him in the next book. Lets her best friend Bumble get dragged back to Tom the Wifebeater, but is sad enough about her death to be "unreasonably angry" with Clear Sky, and then calms down and accept Gray Wing is right all along.

And then she dies, so he can have his very own fridge wife.

In this way, Turtle Tail's just being used to tell Gray Wing's story. They're not interested in why she would turn on Bumble, or god forbid any lingering negative feelings for how she didn't help her, or even resentment towards Clear Sky for killing her or Gray Wing for jumping to his defense. She isn't really going through her own character arc.

She does have personality traits of her own, don't misunderstand my criticism, but as a character she revolves around Gray Wing.

So, zoom out every now and then, and just ask yourself; "Whose story is being told by what I wrote? Do my female characters have goals, wants, and agency, or are they just supporting men? How do their choices impact the narrative?"

But that's already kinda assuming that you already have characters like Turtle Tail who DO have personalities and potential of their own. Here's some super simple and practical advice that helped me;

Tally the genders in your cast. How many are boys, how many are girls, how many are others?

And take stock of how many of those characters are just in the supporting cast, and compare that to the amount you have in the main cast.

If you have a significant imbalance, ESPECIALLY in the main cast, fire the Woman Beam.

It's a really simple trick to just write a male character, and then change its gender while keeping it the same. I promise women are really not fundamentally different from men lmao. You can consider how your in-universe gender roles affect them later, if you'd like, but when you're just starting to wean yourself off a "boy bias" this trick works like a charm.

Also you're not allowed to change the body type of any girl you Woman Beam because I said so. PLEASE allow your girls to have muscles, or be fat, or be old, or have lots of scars. Do NOT do what a cowardly Triple A studio does, where the women all have the same cute or sexy face and curvy body while they're standing next to dwarves, robots, and a gorilla.

Or this shit,

If you do this I will GET you. If you're ever possessed by the dark urge, you will see my face appear in the clouds like Mufasa himself to guide you away from the path of evil.

Anyway, you get better at just making characters girls to begin with as time goes on and you practice it. It's really not as big of a deal as your brain might think it is.

Take a legitimate interest in female characters and try not to disproportionately hit them with parental/romance plots as opposed to the male cast, and you'll be fine. Don't think of them as "SPECIAL WOMEN CHARACTERS" just make a character and then let her be a girl, occasionally checking your tally and doing some critical thinking about their use in the story.

(Also remember I'm not a professional or anything, I'm just trying to give advice)

[tinystepsforward]

ngl it makes me want to die a little bit that it's so often trans people who feel that sex is mutable but oppression is always-forever based on asab in ways that allow them to demand that information from other trans people. like it feels fucking bad. it feels bad when it's people holding up someone who posts a lot of selfies as transition goals to a degree they have to clarify what they have or haven't done or what "direction" they're going in, it feels worse when people are out there like "caster semenya is not tma" or whatever the fuck. i am, as always, not a trans woman, but here's a sentiment echoed by many of the trans women around me who log the fuck off, quoted directly from one: "people who draw a clear line where they say that semenya or khelif are tme and then call me tma are just calling me male at this point".

like i get it. i really do. we seek community and shared experiences, and we feel betrayed when people have less in common with us than we thought they did. [*more on this later.] but that's not those people's faults and my god in the case i'm seeing play out on twitter rn this poor person did absolutely nothing to intentionally mislead people, just posted pictures of their actual kid self. who looks a lot like i did, because shockingly enough "we can always tell" doesn't fucking work for trans people either!

on the one hand i move in intersex circles which are unapologetically welcoming in cis "dyadic" people with pcos, because it serves nobody to draw a clear line where mutilation or genetics or some ineffable childhood suffering are what make somebody intersex, especially when most of us (esp in places like nz) have never been karyotyped and are being treated for symptoms without a pinned-down cause anyway. the more of us there are the stronger we are, the more pressure we can exert on a medical profession which doesn't like to consider how common outliers are, how uneasy sex is at all. and then on the other hand there's dyadic trans people on the internet who've yelled me out of spaces because a couple of traumatised incarcerated trans women i worked with as a prison abolitionist assumed i was also a trans woman and i didn't immediately tell them my entire csa-involved history of being sexed in varying ways as an infant and child and/or exactly how big my phallus was at birth or where in my junk config my urethra lives so they could decide i was tme or whatever.

returning to the * for a related but not identical thought: i think presuming shared experiences leads to some fucked shit in general! "oh we all had a radfem phase" or "oh we all were channers" no we fucking weren't and it's particularly obnoxious when me & mine are trying to build trans community locally to organise and resist the growing wave of far-right backlash against our existence, and there's just white people in there on a spectrum from "straight up being antisemitic and trying to get the n-word pass" through "handwringing about how they need to make space for people who aren't politically correct" to "handwringing about how brown people are right to be mad at them but doing shit fuckall". and then the other fucking brown people in the space are on some identity politics shit where they're like "trans joy inherently excludes those of us who could get deported" or "big city white queers are killing us by being visible instead of going stealth bc it stirs up the discourse" or whatever the fuck i've heard pulled out this year. there's a bunch of reasons i primarily organise outside of trans spaces and that's one of them. i've never felt more alone in spaces where people claim we're all the same than being left as the brownest moderator or organiser in a space full of people to whom "this is a safe trans space" apparently means they get to abdicate all other responsibilities not to lapse into presumed shared patterns that are fucking racist or otherwise alienating. i've never felt more alone than surrounded by exclusively trans people who sort people into boxes and assume everyone in those boxes has the transition goals they have. like i was on cypro until it disagreed with me to the point of endocrine crisis and now i'm on t and at both those points people were so fucking presumptive or entitled to my reasons or journey or personal relationship w my body

literally just submitted on (and was invited to consult on) the nz law commission's review of the human rights act and like. it's straight up fucked how many nz trans people fully do not comprehend that any "sex assigned at birth" type definitions fundamentally exclude migrants who have no way of proving it and many intersex people who happen to have been reassigned later or many times or never assigned at all as a baby. we can't make law with this shit and that's why we have to have symmetrical protections for all genders/sexes/expressions/presentations, bc naming and defining a protected class here often leaves the people who already are left out from those shared experiences of marginalisation out in the cold when they face violence